Script advice

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Notes from LTUE. Any misinformation is the fault of the note taker.

 

  • If you have tried to write a script, you are a scriptwriter
  • A writer’s first objective is to act with confidence.
  • Start writing even if you don’t know what you’re doing yet.
  • George Lucas is not a member of the script guild, he did ok.
  • You get paid for the script and then you get paid for rewrites and when you submit it needs to be in final draft.
  • Please use some type of scriptwriting software. The format is essential to agents/ movie houses. If they can tell the script is not on screenwriting software we just pass it. Because in our experience it is a waste of time for us to read because there will be formatting issues.
  • You use Courier font 12 point. It format to the correct word counts to the industry.
  • Ways for a script to look good on a page. You want to write pictures.
  • The description is a bit like an outline. There may be paragraphs if there is world build that moves the plot forward.
  • The description is blocking and you want to use descriptive words like crashes rather than falling.
  • Big blocking paragraphs are a killer to your script.
  • Filmmakers are visual and a bit AED. And have white space and streamline your script.
  • Every word you write is your enemy.
  • Read a lot of scripts of movie you admire.
  • Imsdb: is where you can scripts.
  • Script pdf by author google it.
  • In scripts will put in “we see this”
  • You can take a script class.
  • Spike the scene with a dialog. Helps long test and gives a reader a pause.
  • Windows and orphans: so avoid a single word with at the end of a line. No hanging word or no lead world few words. You can combine sentences or remove extra unnecessary words.
  • Watch text manipulation. There are areas to loosen or tighten but don’t do it too often.
  • Add a variety of paragraph changes length.
  • you can write shorts.
  • If there short scenes. Occasionally do quick one line:
  • Car rush man
  • Jumps to the side
  • Car crashes into the wall
  • You do not direct the film in the script.
  • Dialog and action: what does to our eyes. Dialog and action.
  • Script writing is like poetry because it is compressed.
  • Underling, italics bold can add a little variety in the text. Maybe like for blast.
  • Slugline is moving to a new scene Interior/exterior. May put in bold to add variety. Slugline tells the director how to set up the scene.
  • Screen format is for you but those who work on the move will use the script to do their jobs.
  • Italics can be used for internal dialog.
  • Transitions with Hard cuts: move to an entire location. Tells the reader we are going to an entirely new location.
  • Google: short scripts.
  • Sub slug: run into the hallway.
  • Query short films.
  • WGA: you can register a script. Provide insurance, 35 grand.

 

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About Melva Gifford

Melva is an author and storyteller.
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